| 001 2395 |
| 003 ULIBM |
| 008 160530s1992||||usa 000 0 eng d |
| 020 ^a1557832137
|
| 082 14 ^a792.028^bH645 1992
|
| 099 ^aPN2061.H645 1992
|
| 100 0 ^aHornby, Richard, ^d1938
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| 245 ^a ^^aThe end of acting : ^ba radical view / ^cRichard Hornby |
| 300 ^a305 p. : ^bill. ; ^c22 cm.
|
| 490 1 ^aThe Applause acting series.
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| 500 ^a ^"An applause original^"--T.p. verso.
|
| 504 ^aIncludes bibliographical references (p. 275-289) and index.
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| 505 ^aIntroduction : breaking our ideological shackles -- The psychosexual basis of acting -- Are actors neurotic? -- Acting and speech -- Acting and artistic creation -- The actor is subjectivity : the creative state -- The actor is subjectivity : finding the character -- The mind-body problem -- Emotion as process -- Approaches to acting before the modern era : how we got where we are -- Stanislavski is basic theories -- Strasberg and ^"affective memory^" -- Other twentieth-century acting theories -- Realism and style : a semiotic view -- A humanistic actor training, centered on play production.
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| 650 0 ^aActing.
|
| 999 ^aอารียา โสมนรินทร์
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